Schriften 13: Märchen; Dramatische Gedichte; Fragmente by Ludwig Tieck

(5 User reviews)   1095
Tieck, Ludwig, 1773-1853 Tieck, Ludwig, 1773-1853
German
Hey, I just finished this wild collection from one of the founding fathers of German Romanticism, and it's not your average fairy tales. Forget the cleaned-up Disney versions—Ludwig Tieck's 'Schriften 13' is where the weird, the dark, and the philosophical get together for a very strange party. The main conflict here isn't just between good and evil; it's between reality and the imagination. Characters don't just wander into enchanted forests; they question whether the forest is even real, or if they're just dreaming it. The 'mystery' is the human mind itself. These stories and dramatic poems are full of talking animals, magical objects, and haunted landscapes, but the real magic—and the real horror—often comes from the characters' own thoughts and desires. It's like Tieck took the familiar skeleton of a fairy tale and then asked, 'But what if the hero had an existential crisis on the way to rescue the princess?' It's brilliant, unsettling, and surprisingly modern for something written over 200 years ago. If you're tired of predictable plots and want to see where fantasy literature got its strange, self-aware soul, you have to check this out.
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Let's be clear: this isn't a single novel. 'Schriften 13' is a volume from Tieck's collected works, packed with fairy tales ('Märchen'), dramatic poems, and fragments. Think of it as a sampler platter of his most imaginative and influential ideas.

The Story

There's no one plot. Instead, you jump between different worlds. In one tale, you might follow a knight who becomes obsessed with a magical, possibly sinister, statue. In a dramatic poem, characters might debate the nature of art and love while surrounded by supernatural events. The fairy tales are the star—they have princes and witches and transformations, but they feel off-kilter. The logic is dreamlike. Characters are aware they're in a story, or the narrator might break in to comment. The 'fragments' section is especially cool; it's like peeking into Tieck's workshop, seeing brilliant ideas that were never fully finished.

Why You Should Read It

I love this book because it feels dangerous. Not scary-dangerous, but intellectually daring. Tieck wasn't just writing escapism; he was using fantasy to poke at big questions. What is real? Is emotion more true than reason? His characters are often artists, dreamers, or madmen—people who see more than everyone else, for better or worse. Reading him, you realize how much later writers, from E.T.A. Hoffmann to even modern magical realists, owe him a debt. He gave fantasy a brain and a nervous system.

Final Verdict

This is a book for a specific, curious reader. It's perfect for fantasy fans who want to explore the genre's deep, weird roots. It's great for anyone who loves German Romantic art and music and wants to see the literary side. It is not a light, before-bed read. The language is dense (it's a 19th-century German text, often in translation), and the ideas require your full attention. But if you're willing to sit with it, you'll find stories that are astonishingly fresh, creative, and deeply strange. It's a journey into the forest of the Romantic mind, and there's no map.

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Michael Allen
1 year ago

Based on the summary, I decided to read it and the character development leaves a lasting impact. Truly inspiring.

Christopher Martin
1 year ago

I came across this while browsing and it manages to explain difficult concepts in plain English. Exceeded all my expectations.

Noah Anderson
3 months ago

Simply put, the emotional weight of the story is balanced perfectly. Absolutely essential reading.

Karen Williams
10 months ago

Comprehensive and well-researched.

Edward Allen
1 year ago

Great reference material for my coursework.

4.5
4.5 out of 5 (5 User reviews )

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